Fatma Charfi | Human being, being human

Exhibition

Fatma Charfi | Human being, being human

AGorgi Gallery & Blue Wind Project

Dates:

About the exhibition :

Human being–Being human is a survey exhibition of the late Tunisian-Swiss artist Fatma Charfi (1955–2018), bringing together works from across nearly three decades of artistic production, from her pioneering installations of the early 1990s to works made shortly before her death. Together, they reveal the coherence of a practice that continually returned to installation, not only as a medium, but as a way of making art. While highlighting her installation works, the exhibition also brings into focus the complexity of an oeuvre that resonates with striking urgency today.

Taking its title from one of Charfi’s works, Human being–Being human (Être humain), the exhibition draws on the double meaning of the French expression être humain: the human being as an individual and being human as a practice. This dual meaning speaks to two preoccupations that run throughout Charfi’s work: her sustained observation of human beings and the conditions that shape their lives, and her desire to provoke participation, care, and collective action.

These two dimensions structure the exhibition across two venues. The first movement, presented at Aïcha Gorgi Gallery, brings together installations that emerged from Charfi’s observation of the world. The second movement, at Blue Wind Project, turns to the performative dimension of her practice, bringing together works such as Cry of a Child (2002–2009), which paved the way for her long-running performance project Laboratoire de paix (2002–2014).

Text By Beya Othman

City / Country
Sidi Bou Said · Tunisia

The text

Description

About the curator:

Beya Othmani is an Algerian-Tunisian curator based in the United States. She is the former C-MAP Africa Fellow (2024–2026) at the Museum of Modern Art (MoMA), where she researched late twentieth-century art in Africa, developed public programs, and was editor of the museum's digital platform, post.moma.org. Her recent curatorial projects include M'barek Bouhchichi: Black Seeds at Selma Feriani Gallery, Tunis (2025); the three-part exhibition series Cantando Bajito at the Ford Foundation Gallery, New York (2024); Fella Tamzali: Arcanes at rhizome Gallery, Algiers (2024); and the 35th Ljubljana Biennial of Graphic Arts (2023). Othmani was awarded the CAORC/Andrew W. Mellon Art History Fellowship (2020–2024) at the American Center for Maghrebi Studies (CEMAT), and in 2023 received the Hyperallergic Emily Hall Tremaine Journalism Fellowship for Curators. Her writing has appeared in Hyperallergic, Artforum, moma.org, AWARE: Archives of Women Artists, ElaineAlain, the Mathaf Encyclopedia of Modern Art and the Arab World, among others.

Installation views

Installation views / Photos

Photos

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The selection

Works presented

The voices

Participating artists